LOOSE ENDS
Loose Ends brings together exploratory works that sit outside defined categories. Existing as tests, offcuts, or unresolved ideas, these pieces act as fragments of process - documenting experimentation and moments that resisted being neatly placed.
An experiment in digital self-representation, using MetaHuman to test likeness, realism, and the boundaries of synthetic identity.
An illustrated exploration of original abstract “blobs,” reimagining everyday forms and turning the ordinary into something fun through playful experimentation with shape, colour, and texture.
A series placing the self inside nostalgic mobile phones, using outdated devices as frames to explore early digital intimacy, pixelated identity, and memory.
‘How the Screen Sees Me’ is an exploration of digital filtering that recreates the illusion of viewing the self through obsolete display technology. By simulating CRT scanlines and screen distortion, the work frames the image as something seen through a device rather than on a screen. The CRT filter was built from scratch (by myself) and is available to download HERE, alongside a tutorial for others to use and adapt.
“In an alternate universe, I am a musician” and these are the singles and EPs released into the world. Using stills taken from existing videos, the work recontextualises moving images into static cover art, exploring how mood and identity shift when motion is frozen.